Henny wrote: ↑
Mon May 29, 2017 11:24 am
thanks for uploading nr 12. well done.
i liked most of it but you are better off when i give some critical feedback
when you take the score in front of you, then listen critically to how you play and mark everything you do not like into the score, i am sure you find even more to improve then me.
the second part, the last 2 phrases are less convincingly played due to their technical difficulty.
it need a little more work to give the same quality as the 1e part.
when you are happy with the result play the dynamics for the repeats somewhat different in attack (f.e ponticello).
Thanks for your comments, Joannes, I very much appreciate them. When you refer to "the last 2 phrases are less convincingly played due to their technical difficulty", would you please indicate which measures you refer to? Perhaps from measure 13 onwards?
Also, I searched the Internet and learned the meaning of ponticello
(attacking the strings near the bridge), natural
(over the mouth of the guitar) and tasto
(a bit upwards in the fretboard). Different sounds are obtained - metallic, natural and mellow - and these can be used in the repeats to obtain a different sound. This and different strengths while attacking the strings is what you call dynamics
, no? I'll try it.
Oner last remark. When checking again the score, I noticed that I'm missing in my play the last D
in measure 12. What a shame
! I really need to prepare another record of the #12.