Interesting Masterclass with Miloš Karadaglić

Discussions relating to the classical guitar which don't fit elsewhere.
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robb
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Re: Interesting Masterclass with Miloš Karadaglić

Post by robb » Sun May 10, 2015 11:09 am

Perhaps the better students were not interested in participating.

Gary Macleod
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Re: Interesting Masterclass with Miloš Karadaglić

Post by Gary Macleod » Fri Apr 21, 2017 1:30 pm

Just heard a recording of milos playing the aranjuez from a performance he gave in France, WOW this guy can really play. Hope he recovers soon.

glassynails
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Re: Interesting Masterclass with Miloš Karadaglić

Post by glassynails » Fri Apr 21, 2017 3:19 pm

I realize it's subjective, but who do you think's a better player? Milos or Segovia? :lol:
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lucy
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Re: Interesting Masterclass with Miloš Karadaglić

Post by lucy » Sat Apr 22, 2017 8:36 pm

Gary Macleod wrote:Just heard a recording of milos playing the aranjuez from a performance he gave in France, WOW this guy can really play. Hope he recovers soon.
I'm glad I'm not the only one here, who hears good things in Milos' playing! :)
“Do what you can, with what you have, where you are”. Theodore Roosevelt

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lucy
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Re: Interesting Masterclass with Miloš Karadaglić

Post by lucy » Sat Apr 22, 2017 8:55 pm

glassynails wrote:I realize it's subjective, but who do you think's a better player? Milos or Segovia? :lol:
Yes, I think a lot of it is subjective. Frankly, I don't think it is for us to (attempt to) judge. The best players emerge over the passage of time and it is longevity that really matters. We can all make guesses as to who will be considered great and who will be forgotten in 50-100 years time.

There are obviously reasons why the very mention of Segovia results in such controversy. If he wasn't great, in some form or other, why do people get so heated up about him? It usually revolves around around the proposition that he was great and deserves to be seen as such, versus he doesn't deserve it. So...perhaps, actually, both sides agree he was great? Funny, that Milos also seems to attract such controversy too!
“Do what you can, with what you have, where you are”. Theodore Roosevelt

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Tom Poore
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Re: Interesting Masterclass with Miloš Karadaglić

Post by Tom Poore » Sat Apr 22, 2017 11:35 pm

Mark Featherstone wrote:Can anyone identify the piece that the first performer - the girl - presented?
Fernando Sor: Etude Op. 6, No. 9.

Tom Poore
South Euclid, OH
USA

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Mark Featherstone
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Re: Interesting Masterclass with Miloš Karadaglić

Post by Mark Featherstone » Thu May 25, 2017 3:43 am

Tom Poore wrote:
Sat Apr 22, 2017 11:35 pm
Mark Featherstone wrote:Can anyone identify the piece that the first performer - the girl - presented?
Fernando Sor: Etude Op. 6, No. 9.

Tom Poore
South Euclid, OH
USA
Thank you, Tom!
Best,
Mark
Francisco Navarro Concert Classical, cedar top, 630 mm scale, 50 mm nut

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