Carulli's op. 241 can be found here (facsimile edition):ADeanS wrote:Very , very nice well connected to the message of the music.
This feels like something that may be within my reach. Is the music for it here? Where?
Thanks for watching! Glad you enjoyed the performance.UnstoppableGuitar wrote:thanks. well done!
Hey Jeffrey - I just answered your comment on youtube, but it seems as though I might have misunderstood you there (it's worded a bit differently). I don't know if it's an advantage or not, I guess it's up to the player. However from a technical perspective, I'd be able to play the string "over the sound hole" without blocking the bass frequencies of the instrument. Thus creating a less muffled sound when playing from that area of the guitar. With that said, I don't consider that area a "neutral" spot. I'd go there with the specific "sound" which would be warmer. At the end, it's all a matter of how the player feels on that instrument and what it give them. (sorry for the "non-answer")Jeffrey Armbruster wrote:Nick, your guitar would allow you play with your right hand where the 'normal' sound hole would be, but without blocking any sound. Those notes tend to be rounder and so on. Is this an advantage? I may well be off base!
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