Hi Steve. Thanks for providing feedback! Regarding the body movement you mention - I'm sort of working on it. I mean not-accumulating / releasing muscle tensions. I used to play like I've swallowed a half-meter ruler. Plus a few sour lemons on top of that, for an "appropriate" facial / neck expression So, I thought like changing my approach not only to ergonomics but to body expressions also could do some tricks.
Hi George. I agree. As these were my first contact with the genre, I used them as etudes (reminded me of, for instance Giuliani's op. 100 or op. 51, maybe 48). In Vinitsky's book there follow another blues pieces - not only 12-bar, but some longer compositions, and I'm now looking forward to check those "real" pieces.
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