Classical and Flamenco

Somewhere for members interested in Flamenco to exchange related knowledge and techniques. Please do not give direct links to performances.
twistedblues
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Classical and Flamenco

Post by twistedblues » Mon Feb 13, 2017 3:35 pm

Does being proficient on classical guitar help with playing flamenco? And vice versa? Or is it like starting over?

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robin loops
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Re: Classical and Flamenco

Post by robin loops » Mon Feb 13, 2017 5:44 pm

Flamenco uses some strumming techniques that you won't find in classical and these are like learning a brand new thing and visa versa. However a player proficient at any style of guitar will have a much easier time learning any other new type of guitar as fretting notes, forming chords, plucking the strings, etc., are essentially the same (albeit with different techniques, hand angles, method of holding guitar, etc.). Flamenco and classical have many similarities (more than most styles/techniques) and knowing one definitely facilitates the other but keep in mind that there are significant differences stylistically and technically, and that classical and flamenco guitars are different as well.

The flamenco guitar has a narrower bout lower action (as well as some other structural differences). You can use a classical for flamenco but they tend to have (especially cedar tops) a deeper or boomier tone than you want for flamenco and classical on a flamenco guitar can sound a bit thin and buzzy. If wanting a single guitar for both styles a classical spruce top with action on the low side (for a classical) is an option or a flamenco guitar that has a deeper boomier tone with action on the higher side (for a flamenco). I do not know much about flamenco guitars but I believe that a flamenca negra is one that many crossover players like to use. Someone more versed in flamenco and flamenco guitars will have to provide more info on that. Of course keep in mind that to pursue both styles seriously and accurately, two guitars is the best (if not only) option.
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Luis_Br
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Re: Classical and Flamenco

Post by Luis_Br » Mon Feb 13, 2017 5:51 pm

I think LH are more or less the same and help each other. Basic musical knowledge of rhythm, reading scores etc. are also the same...
RH has some differences as pointed out, but considering in both cases you should be building up consciousness, musical and body knowledge, they end up helping each other a lot. If you have developed good consciousness of what you are doing, you quickly adapt to each other.
But I think changing the style caracter is the most difficult. When I listen to Romero playing Giuliani I still think this is a flamenco/spanish guitarist trying to play some operatic music.
So I think biggest difficulty to a Classical going to Flamenco is the rasgueos and rhythmic variations and consistency, with a more percussive approach to articulation.
To the flamenco, the difficulty is to remove the percussive attack and change the articulation to something more fluid, as well as to work on the subtleties of independent simultaneous voicings.
But you can still do great music with your own way. I still appreciate Romero playing Giuliani.

Ramon Amira
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Re: Classical and Flamenco

Post by Ramon Amira » Mon Feb 13, 2017 9:07 pm

See my post from yesterday under "Favorite Websites."

viewtopic.php?f=50&t=110610#p1176302

Ramon
Classical and Flamenco guitar lessons via Skype worldwide - Classical and Flamenco guitars from Spain

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guitarrista
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Re: Classical and Flamenco

Post by guitarrista » Mon Feb 13, 2017 9:45 pm

twistedblues wrote:Does being proficient on classical guitar help with playing flamenco? And vice versa? Or is it like starting over?
Compared to a beginner who starts flamenco guitar and has not played nylon-string guitar before, it gives you a huge advantage. As Ramon says in his post in the other thread, the core guitar technique is the same, but there are a lot of add-on techniques to learn as well. Just the different types of rasgueados are a whole new complex universe to deal with for a classically-trained guitarist; also alzapua and other thumb-only techniques. Then all the different palos and working on rhythmic patterns. And if you'd like to accompany dancers or singers, there is yet another universe of skills to acquire - not so much as additional pure technique, but rather about observing, listening and responding to the dancer/singer on the spot.
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Salvador
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Re: Classical and Flamenco

Post by Salvador » Tue Feb 14, 2017 1:03 am

I played classical guitar for a long time but i don't know how to play Flamenco. I really wish i can play Flamenco guitar also. For classical guitarists it's beneficial to know some basic Flamenco technique like playing scales, rasgueado. Let's learn Flamenco guitar together, by watching youtube tutorial videos.

Semitone
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Re: Classical and Flamenco

Post by Semitone » Mon Apr 10, 2017 8:34 pm

Threads a bit old but I thought I would add my two cents as I am familiar with both styles. ( Note: I am not using the word proficient.)

In many ways, I felt going from steel string pick style guitar to classical is similar to going from classical to flamenco. Sure there is some overlap and having facility with music theory helps but there are also some pretty major differences between classical and flamenco and it will take a bit of time to train your ears and muscle memory.

Right hand technique is very different. Not just rasqueados, but there are lot of techniques that one doesn't commonly use in traditional classical playing...golpes, alzupua.... I see traditional flamenco as being a very percussive/rhythmic endeavor to accompany singers and dancers. Classical has more tonal subtleties,IMO.( subtlety seems to be something that doesn't work in a loud dancing/singing festive environment. Modern flamenco on the other hand seems to be a different beast and is a bit of a hybrid of styles) Flamenco is a group activity, classical more solo oriented.

The chord voicings and fingerings are usually very different as is the common use of the modes of A Phrygian and E Phrygian. The rhythms ( or compas) of many traditional flamenco styles have a 12 beat pattern. (something like 6/8, followed by 3/4). Most of the classical pieces I play are in 4/4 or 3/4 timing either in major or minor keys. Getting used to the very different rhythm may be one of the most difficult adjustments.

As far as the instruments themselves, I think flamenco guitars were relatively inexpensive working mans guitars at the turn of the century ( I mean two centuries ago :D ) They were made with local materials and not expensive imported rosewood. They didn't have the sustain that "classical" concert guitarist desired but they did have a sharp attack and were somewhat treble heavy to cut through the other participants. I think guitars with more pronounced/deep bass were developed a little later on and coveted by concert players. A golpeador on a guitar used for flamenco was essential if you didn't want to damage the guitar. ( I'm guessing that didn't help with sustain either)

Playing posture is also taught differently....

All of which makes me wonder...what really are the similarities?

Pede
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Re: Classical and Flamenco

Post by Pede » Thu Apr 13, 2017 8:33 pm

I am an experienced classical player and started studying flamenco guitar. Especialy for the right hand its is very different. I agree also that getting used to the palos and rythmes takes much practising.
Gert Petersen 2000, Spr-BRW
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attila57
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Re: Classical and Flamenco

Post by attila57 » Fri May 05, 2017 6:23 pm

twistedblues wrote:
Mon Feb 13, 2017 3:35 pm
Does being proficient on classical guitar help with playing flamenco? And vice versa? Or is it like starting over?
Yes, it helps, of course. But still, you'll need to learn and practice every new technique (there's lots in flamenco, especially RH). In the end your playing will definitely be richer, with more tonal colours, new sounds and techniques. Apart from that, if you want to sound and feel flamenco, you'll need to study the folklore background, watch flamenco dancing and listen to the great maestros' music. Seeing them personally also helps a lot. I was lucky to hear Paco Pena live once, and I'll never forget it! That was definitely the greatest, most unbelievable guitar experience in my life. He is in an altogether different class from all classical and jazz guitar performers I've heard to play.

Attila :bye:
Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy...

William Shakespeare, Sonnet 8

Flawiler63
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Re: Classical and Flamenco

Post by Flawiler63 » Sun May 21, 2017 9:48 am

Very informative, thanks to everyone. I am trying to learn some flamenco on my own. I have played CG on and off for decades and have ordered Juan Martin And Patrick Campbell: Essential Flamenco Guitar - Volume 1 to help me along the way. Will see how it goes, olé.

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