Many versions of Barrios' pieces exist because he himself played them differently if or when he performed them in concert and depending on when they were written down, the versions may differ in various ways.
Richard Stover, in his "Complete Works of Barrios" cites manuscripts for Las Abejas;
Manuscript in Barrios' hand from Borda y Pagola collection
Manuscript from Rómulo Bonilla Montevideo, Uruguay
Di Giorgio pp.34-35
The version Stover has in his book shows the jump to the Coda after bar 7.
When the sun shines, bask.
Classical Guitar forever!