D01 Classical guitar lesson 10

The classical guitar lessons are free. They are aimed at the isolated amateur who does not have access to a teacher. To join the class, apply for registration into the students group.
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The classical guitar lessons are free. They are aimed at the isolated amateur who does not have access to a teacher. To join the class, apply for registration into the students group.

PDF, MP3, Vidéos, Lessons : Level D01 - Level D02 - Level D03 - Level D04 - Level D05 - Level D06 - Level D07 - Level D08 - Level D09 - Level D10 - Level D11 - Level D12.
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Jean-François Delcamp
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D01 Classical guitar lesson 10

Post by Jean-François Delcamp » Wed May 31, 2017 6:35 am

Hello everyone,
Please start by downloading the latest version of volume D01.
If you are new to the course, please read this message to familiarize yourself with the conditions for participating in the lessons. You should also read the first message in lesson 1, where you will find advice on how to make the most of your study time and on the methods of practising that I recommend.



First we will study some technical exercises from volume D01.
page 56 - Jean-François Delcamp (1956) Liaisons - Legature - Slurs - Ligados
page 56 - Jean-François Delcamp (1956) Accords – Chords

Youtube


Youtube




Finally, we'll look at 5 tunes, pages 49 to 52,
page 49 - Adrian Le Roy (ca. 1520-1598) Quatriesme bransle de poictou

Youtube


Youtube

In 1549, the French guitarist, lutenist, singer, editor and composer Adrian Le Roy entered into partnership with his cousin Robert Ballard. Together they founded a major publishing house. From 1551 to 1556, Adrian Le Roy and Robert Ballard published 5 books of tablature for guitar (Renaissance guitar with 5 courses of strings). Le Roy's bransles de poictou probably had their source in the popular tradition. Here the melody is accompanied by a single repeated bass note played by the thumb.
http://www.guitareclassiquedelcamp.com/ ... leroy.html
http://www.delcamp.net/historyclassicalguitar.html
http://www.guitareclassiquedelcamp.com/ ... terne.html

page 50 - Fernando Sor (1778-1839) Leçon III opus 60
http://www.guitareclassiquedelcamp.com/ ... dosor.html

Youtube


page 51 - Joseph Küffner (1776-1856) Allegretto – duo
http://www.delcamp.net/joseph_kuffner.html
Joseph Küffner - Duo - MP3


page 52 - Adrian Le Roy (ca. 1520-1598) Second bransle de poictou

Youtube


Youtube


page 52 - Gaspar Sanz (1640-1710) Villano

Youtube


Youtube

In volume D02, on page 49, you will find a chord version of this Villano in D major.
Spanish guitarist, organist, theoretician and composer, Gaspar Francisco Bartolome Sanz y Celma, born at Calanda (Teruel) on 4 April 1640, was a bachelor of theology at the university of Salamanca. Once he had finished his music studies in Spain, he completed his musical education with a journey to Italy, where he served as chapel organist to the Viceroy of Naples. When he returned to Spain, he became guitar teacher to Don Juan of Austria (son of King Philip IV of Spain).

In 1674, Gaspar Sanz published the first of the three volumes of his "Instruccion de musica sobre la guitarra española" for five-course guitar, of which one of the existing copies is preserved in the Calanda Town Hall (Ayuntamiento). In addition to being a learning method, this collection includes popular tunes and dances as well as several forms of serious music (fugues, passacailles). This work is the most complete publication for guitar of the period, and would be republished a further 8 times between 1674 and 1697. The pieces are presented in Italian tablature, i.e. inverted, with the bottom line designating the first string. He uses chord symbols in this work which are forerunners of modern notation.

Gaspar Sanz was one of the most significant guitarists, composers and theoreticians of the Baroque era. He doesn't only dominate his own century: he was to remain the essential reference in the following century for all treatises and all music publications for the guitar.

The works of Gaspar Sanz have often been arranged for the modern guitar by 20th century interpreters such as Emilio Pujol, Andres Segovia and Narcisso Yepes. Joaquin Rodrigo, the famous composer of the concerto d’Aranjuez, pays homage to Gaspar Sanz in his "Fantasía para un gentilhombre" for guitar and orchestra. From his own time right up until today, the popular themes of Gaspar Sanz's songs and dances have been passed on orally by street musicians.
http://www.guitarraclasicadelcamp.com/p ... rsanz.html




I ask you first to work on all these exercises and tunes for a week and then to upload your recordings of:
page 56 - Jean-François Delcamp (1956) Accords – Chords
page 52 - Adrian Le Roy (ca. 1520-1598) Second bransle de poictou
page 52 - Gaspar Sanz (1640-1710) Villano



Good luck!

We have reached the end of this year of studying together. I am intending to resume next year.
My thanks to the students, to Geoff for his splendid translations, and also to Colin Bullock, John Montes, Rich (oski79), Marko Räsänen and lagartija who have enabled these courses to run so smoothly
.

I wish you all a good summer. See you again soon.

Jean-François
:( + ♫ = :)

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