I like Aguado's version a lot, it differs a bit from the Meissonnier. Aguado was a friend and colleague of Sor's and from what I've read Sor did make alterations or improvise in concert, some pieces as time went on. I'm wondering if Aguado's version is based on changes that Sor himself played around with sometimes or in concert and Aguado published it? I also read that Sor & Aguado lived in the same hotel in Paris, performed some concerts together and Sor dedicated some pieces to Aguado. I'm not familiar with other simpler versions or altered versions. The Aguado version has almost no fingerings though, you pretty much need to figure that out on your own.
03 Ramirez 1a CD/BR
06 Baroque Lute - 13 Course w/Bass Rider