Bach, J. S. - BWV 0998 Allegro - D09

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Jouni Stenroos
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Bach, J. S. - BWV 0998 Allegro - D09

Post by Jouni Stenroos » Mon Aug 06, 2007 1:18 pm

Hello,

Here goes the final part, Allegro.

-Jouni
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wolfgang

Post by wolfgang » Mon Aug 06, 2007 1:24 pm

There it is :D

What else than :okok: in every respect!!

Thanks so much for sharing the whole BWV 998 with us!

:merci:

I love those basses *lol*

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owl
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Post by owl » Mon Aug 06, 2007 1:30 pm

This is what I've been waiting for! :lol:
Wonderful Jouni... a fitting finale and beautifully played.

LOL maybe we've started something with our suites! :shock:
I wonder what will be next :roll:

Thank you for sharing

Joy in the music

Owl
Never, ever give up!... I leave my songprint on your heart.

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Vesuvio
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Post by Vesuvio » Mon Aug 06, 2007 1:36 pm

Hello Jouni,

I was hoping to see this posted soon!

Your performance is quite stunning and the perfect complement to the first two movements. I have just played the whole work through and it is a delight from beginning to end. Thank you once again!

Best wishes, V :D :bravo:

PS To anyone who has enjoyed Jouni's recent work on the BWV 998, have a look at this:

viewtopic.php?t=15826
"There are only two things worth aiming for, good music and a clean conscience." Paul Hindemith

simon82

Post by simon82 » Mon Aug 06, 2007 1:38 pm

Fantastic,
this guitar, and of course your interpretation of one of my favourite pieces...outstanding.

Simon

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Vito Simplicio
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Post by Vito Simplicio » Mon Aug 06, 2007 1:40 pm

I'm left in awe.

:applauso: :applauso: :bravo:

Vito

soltirefa
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Post by soltirefa » Mon Aug 06, 2007 1:40 pm

Bach would be very proud of your playing of his fine piece. I think that's the best Allegro I have ever heard. The Prelude and Fugue were equally impressive. Kudos, Jouni.

Soltirefa (Glen)

PS. I'm guessing you have 7=low A, making the fretting of those low notes a bit easier than if you had to reach to the 8th string to get them.

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Jouni Stenroos
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Post by Jouni Stenroos » Mon Aug 06, 2007 2:16 pm

Many thanks to everyone!

Owl: 3 suites still left :D

Glen, nice to see you here, too. Yes, the 7th is A. The whole tuning is first six strings normal with drop-D, 7th=low A, 8th=low G, 9th=low B and 10th=re-entrant G, same as 6th@3rd fret with in standard. The Fugue needs the low G four times, that's why it's there. Also, as you said, the 7th=A is handy for fretting, in fact the low basses of Allegro are all played on 7th. Some nasty stretches there, but that's much better than trying to stop the ringing open bass notes in that speed.

-Jouni

pasigenyo
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Post by pasigenyo » Mon Aug 06, 2007 5:10 pm

Amazing.

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Matt Molloy
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Post by Matt Molloy » Mon Aug 06, 2007 5:16 pm

Wow again!!!

Many thanks for a fantastically executed BWV 998.

Absolutely superb. :bravo: :applauso: :merci:

Doesn't get much better than this.

Cheers,

Matt.
"I'm playing all the right notes, but not necessarily in the right order." Eric Morcambe

Proud member of the LGCI.

Guitar: James Lister 2009 SP/MP.

Tarbaby (1953 - 2016)

Post by Tarbaby (1953 - 2016) » Mon Aug 06, 2007 6:09 pm

Absolutely stunning, Jounis! Somehow, you make everthing sound easy!

Your separation and clarity of the voices is always amazing.

Congratulations on all three movements!

:bravo:

camytay

Post by camytay » Mon Aug 06, 2007 7:01 pm

Wow, those basses are just great. Everything about this is just great. Thank you.

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Jouni Stenroos
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Post by Jouni Stenroos » Tue Aug 07, 2007 11:35 am

owl wrote: LOL maybe we've started something with our suites! :shock:
I wonder what will be next :roll:
Videos? Ladies first! :D

Seriously, what I would like to see is more of "complete whatever", projects, recorded by an advanced player, like the Sor studies op.35 recorded by Wim. Carcassi studies op.60 is one example that cries for recording.

-Jouni

Bach_lover

Post by Bach_lover » Tue Aug 07, 2007 11:25 pm

That was incredible! Thanks so much for playing that beautiful piece for us. :lol:

John O

Post by John O » Wed Aug 08, 2007 1:40 am

Very impressive. It's plenty fast without resorting to the "look Ma, no hands" school of playing that turns it into a meaningless etude. Congratulations on a wonderful interpretation and performance.

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