RobMacKillop wrote: ↑
Sun Mar 03, 2019 12:54 pm
I hope to record Lagrima and Marietta (by Tárrega) tonight...
Concerning Lagrima (by Tárrega), I learned it via Mel Bay's publication "Best of Tarrega", edited by Joseph Castle. In this edition, the piece has only the two well known parts, A and B, and is indicated to be played as AA-BB-A. Now, some four years ago, when I went to Madrid to acquire my Camps, I came across a SONETO edition of Tarrega's works in various volumes - the Editor being Mr. Melchor Rodríguez - as indicated in the picture below (the common back of all five volumes).
The first three titles correspond to Volumes I - III, the fourth title, "31 Piezas Originales (3 inéditas)", takes up Volumes IV and V. The "175 Transcripciones (75 inéditas) has not yet been published. According to an e-mail I received from the Editor's son, the pieces were already revised by his father, but the fact is that the Transcriptions are not in SONETO catalogue
Volume III is dedicated to Tárrega's Preludes and Lagrima is in page 31 (S.E.M. n.º 20). This score of Lagrima, beyond sections A and B, also has a third section, C, and, if I interpreted it correctly, they are to be played in this sequence: AA-CC-A-BB-A. Have you heard of this third section? It is a beautiful one, indeed, and it mingles wonderfully with the other two. Never heard it recorded, though...
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1972 - Kuniharu Nobe #8, 658/52, Spr, IN RW, Tokyo, JP
1976 - Ryoji Matsuoka No.50, 650/53, Ced, IN RW, JP
1979 - Ryoji Matsuoka No.40, 650/53, Ced, IN RW, JP
2014 - Hermanos Camps Master Nº 3, 650/52, CA Ced, MG RW, Banyoles, ES