Title format: Composer's surname, forename - op.xx/xx Title - tags (if known)
e.g. Granados, Enrique - op.37/05 Andaluza - D09 Video
or Ságreras, J. S. - op.19 Maria Luisa - D04 (For more than one forename, just give initials.)
or Ságreras, J. S. - 1/49 Lesson (One digit for lesson-book / two digits for lesson.)
or Anon. - Samba Lele - D03 (Use Anon. for all anonymous or traditional pieces.)
For more details see instructions here.
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Harmonics are best produced when they are in the middle of the string! That means that once you place a finger on a fret, it shortens the string so if the harmonic (specially the artificial ones) is plucked let's say at a 5th fret, you should move your hand towards the bridge as many frets...What I mean is the more towards the bridge you pluck and the more that aproaches the half of the string from the point the harmonic is plucked, the clearer it will sound...I hope I haven't said anything wrong! In any case, it works for me!
Hi Homayoun, I was wondering about this score. In the collection of Tarrega here on the forum I cannot find this title, is it called another name, or translation? Or, is it a separate score, and if it is, can I have a copy?
Hi dear Russel,
it is composed by Felix Mendelssohn and my version is transcribed by Tarrega and the fingering is by Savio. that is why it is not found among Tarrega's compositions.
anyway, i would be gald to send you a copy. please just send me your e-mail address. you may find mine in my profile.