Andrei Puhach wrote:My second part of the assignment:
- pages 66-67 ANONYME (ca. 1860) VALSE
A couple of mistakes and hiccups here and there but I think I've got the idea of "these two simultaneous strokes, one a strongly played rest stroke, the other a gentle free stroke".
Well done Andrie, I think you have it pretty much nailed - you're propably way ahead of the rest of us.
The tonal quality of the rest strokes does sound a little twangy in places though almost as if your finger nail is hooking on the string. I notice that your finger is attacking the string at exactly 90 degrees, it could be an idea to change the angle slightly, or alter the proportion of nail/flesh stiking the string.
Apart from that everything else (fingerings, dampings etc.) look pretty good.