Stephen Kenyon wrote:Beautifully done!
Now you've sown the seed of doubt it does sound a little unlike the great Francesco. I wonder if it is only known from the copy you mention and whether that other piece could also be recorded?
Thank you for listening
Doubt is the polyphony, the vocal line is the same, the same metric and the logic of the composition, the difference is in some agreements, Francis uses two-note chords, the anonymous enriches the three-voice polyphony, the result is a 'harmony more complete than that of the "divine"
The imagination of Francis is found in his book tab for Lute, the dell'Anonimus in an era of anonymous composers Treaty.
The only thing that is not clear is who has composed before the Fantasia, Francis from Milan or Anonimous?