Nice work, Dimitri. As for suggestions, my approach to developing a Bach piece once I've learned the basic fingering and have it flowing a bit is to start thinking much more about the polyphony. As is typical with Allemands, the voices often jump among different registers and I try to emphasize this but there are often compound melodic lines within the same voice register and I look for these and decide when and where to bring them out as well. I often imagine everything as a vocal work and visualize it as a vocal performance. The trick is to think about how many people are on stage and who is singing what and when and play with that it mind. There is a lot of experiment here often but it really frees up my imagination and adds to my learning experience and playing.