This piece I find extremely interesting and a little challenging to understand. On the one hand it seems very disparate; three different ideas follow each other with little in common, the last of which seems remarkably akin to what we might now call Malaguena. Then the first idea returns, one which seems for the 1830s quite Brahmsian.
Simon Ambridge Series 40 (2005)
Trevor Semple Series 88 (1992)
Louis Panormo (1838)
Alexander Batov Baroque Guitar (2013)
Simon Ambridge 'Hauser' (2018)