Creative, sensitively played and with a pretty tone. I like the way you brought out the upper voice in the first two measures - so many performances of this piece don't differentiate very well between the upper voice and the inner-string accompanimental thirds during that passage, and that passage is so important, motivically, to the perception of the whole piece. Even in an altered version like this. I liked the harmony change you did in that inner 3rd at measure 2, beat 3. Gave it a bit of a downward lean.